Fictions of Kinship: Representations of multicultural family-making in the South Korean cine- and dramascape

Research output: Book/Report › Ph.D. thesis › Research

Standard

Fictions of Kinship : Representations of multicultural family-making in the South Korean cine- and dramascape. / Nielsen, Jacob Ki.

Det Humanistiske Fakultet, Københavns Universitet, 2014. 312 p.

Research output: Book/Report › Ph.D. thesis › Research

Harvard

Nielsen, JK 2014, Fictions of Kinship: Representations of multicultural family-making in the South Korean cine- and dramascape. Det Humanistiske Fakultet, Københavns Universitet.

APA

Nielsen, J. K. (2014). Fictions of Kinship: Representations of multicultural family-making in the South Korean cine- and dramascape. Det Humanistiske Fakultet, Københavns Universitet.

Vancouver

Nielsen JK. Fictions of Kinship: Representations of multicultural family-making in the South Korean cine- and dramascape. Det Humanistiske Fakultet, Københavns Universitet, 2014. 312 p.

Author

Nielsen, Jacob Ki. / Fictions of Kinship : Representations of multicultural family-making in the South Korean cine- and dramascape. Det Humanistiske Fakultet, Københavns Universitet, 2014. 312 p.

Bibtex

@phdthesis{2a97d46821ab4d71b69e38a8bc071026,
title = "Fictions of Kinship: Representations of multicultural family-making in the South Korean cine- and dramascape",
abstract = "The dissertation has an interdisciplinary scope and assumes a minority horizon. It offers a set of qualitative readings of representations in South Korean cinema (1997-2013) and TV dramas (2005-2010). The readings centre on a phenomenon that I have dubbed “the multicultural turn,” as referring to a saturation of multicultural family representation in the South Korean mediascape since the 1997 Asian Financial Crisis and particularly with the official declaration of the New Multicultural Korea in 2006.I question how ideologies of Koreanness and Otherness are articulated in the material particularly against ethnonationalism and pureblood ideology that dominated notions of Koreanness through most of the postcolonial era. Overall, the readings suggest that the multicultural turn is part of a neoliberal capitalist and ethnocultural turn that indicate a departure from ethnonationalism and pureblood ideology as a leading paradigm for Koreanness.",
author = "Nielsen, {Jacob Ki}",
year = "2014",
language = "English",
publisher = "Det Humanistiske Fakultet, K{\o}benhavns Universitet",
address = "Denmark",

}

RIS

TY - BOOK

T1 - Fictions of Kinship

T2 - Representations of multicultural family-making in the South Korean cine- and dramascape

AU - Nielsen, Jacob Ki

PY - 2014

Y1 - 2014

N2 - The dissertation has an interdisciplinary scope and assumes a minority horizon. It offers a set of qualitative readings of representations in South Korean cinema (1997-2013) and TV dramas (2005-2010). The readings centre on a phenomenon that I have dubbed “the multicultural turn,” as referring to a saturation of multicultural family representation in the South Korean mediascape since the 1997 Asian Financial Crisis and particularly with the official declaration of the New Multicultural Korea in 2006.I question how ideologies of Koreanness and Otherness are articulated in the material particularly against ethnonationalism and pureblood ideology that dominated notions of Koreanness through most of the postcolonial era. Overall, the readings suggest that the multicultural turn is part of a neoliberal capitalist and ethnocultural turn that indicate a departure from ethnonationalism and pureblood ideology as a leading paradigm for Koreanness.

AB - The dissertation has an interdisciplinary scope and assumes a minority horizon. It offers a set of qualitative readings of representations in South Korean cinema (1997-2013) and TV dramas (2005-2010). The readings centre on a phenomenon that I have dubbed “the multicultural turn,” as referring to a saturation of multicultural family representation in the South Korean mediascape since the 1997 Asian Financial Crisis and particularly with the official declaration of the New Multicultural Korea in 2006.I question how ideologies of Koreanness and Otherness are articulated in the material particularly against ethnonationalism and pureblood ideology that dominated notions of Koreanness through most of the postcolonial era. Overall, the readings suggest that the multicultural turn is part of a neoliberal capitalist and ethnocultural turn that indicate a departure from ethnonationalism and pureblood ideology as a leading paradigm for Koreanness.

M3 - Ph.D. thesis

BT - Fictions of Kinship

PB - Det Humanistiske Fakultet, Københavns Universitet

ER -

ID: 110222446