The screen function of unconscious fantasy

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

The screen function of unconscious fantasy. / Gammelgård, Judy; Kristiansen, Sølvi.

In: Scandinavian Psychoanalytic Review, Vol. 40, No. 1, 25.08.2017, p. 1-11.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Gammelgård, J & Kristiansen, S 2017, 'The screen function of unconscious fantasy', Scandinavian Psychoanalytic Review, vol. 40, no. 1, pp. 1-11. https://doi.org/10.1080/01062301.2017.1354495

APA

Gammelgård, J., & Kristiansen, S. (2017). The screen function of unconscious fantasy. Scandinavian Psychoanalytic Review, 40(1), 1-11. https://doi.org/10.1080/01062301.2017.1354495

Vancouver

Gammelgård J, Kristiansen S. The screen function of unconscious fantasy. Scandinavian Psychoanalytic Review. 2017 Aug 25;40(1):1-11. https://doi.org/10.1080/01062301.2017.1354495

Author

Gammelgård, Judy ; Kristiansen, Sølvi. / The screen function of unconscious fantasy. In: Scandinavian Psychoanalytic Review. 2017 ; Vol. 40, No. 1. pp. 1-11.

Bibtex

@article{9be9d6b98c3b4a3786f4c45a11ae1f7b,
title = "The screen function of unconscious fantasy",
abstract = "Although being a fundamental concept in psychoanalysis, fantasy is an ambiguous term. It covers a vast field of conscious and unconscious phenomena, from daydreaming, the manifest narration of the patient{\textquoteright}s world of imagination to unconscious fantasy and primal fantasy. Further, it introduces the delicate alternatives of imaginary versus real, subject versus object and internal versus external. Following Freud{\textquoteright}s reflections on the ambiguity of fantasy, we arrive at an idea introduced by Freud himself, but elaborated years later by Lacan. Fantasy, accordingly, is seen as a screen which both reveals and conceals. Our aim is to demonstrate, theoretical as well as clinical, how unconscious fantasy serves as a window into not only repressed wishes and conflicts, but also the most primary scenes where the subject may not even have a specific place. Simultaneously, it is the site of protection and defence, including projection and denial, but also repetition of what we will call the identical. A clinical case will be presented to illustrate our theoretical ideas and their clinical implications.",
keywords = "Faculty of Social Sciences, fantasy, unconscious fantasy, screen, traversing of fantasy, repetition",
author = "Judy Gammelg{\aa}rd and S{\o}lvi Kristiansen",
year = "2017",
month = aug,
day = "25",
doi = "10.1080/01062301.2017.1354495",
language = "English",
volume = "40",
pages = "1--11",
journal = "Scandinavian Psychoanalytic Review",
issn = "0106-2301",
publisher = "Routledge",
number = "1",

}

RIS

TY - JOUR

T1 - The screen function of unconscious fantasy

AU - Gammelgård, Judy

AU - Kristiansen, Sølvi

PY - 2017/8/25

Y1 - 2017/8/25

N2 - Although being a fundamental concept in psychoanalysis, fantasy is an ambiguous term. It covers a vast field of conscious and unconscious phenomena, from daydreaming, the manifest narration of the patient’s world of imagination to unconscious fantasy and primal fantasy. Further, it introduces the delicate alternatives of imaginary versus real, subject versus object and internal versus external. Following Freud’s reflections on the ambiguity of fantasy, we arrive at an idea introduced by Freud himself, but elaborated years later by Lacan. Fantasy, accordingly, is seen as a screen which both reveals and conceals. Our aim is to demonstrate, theoretical as well as clinical, how unconscious fantasy serves as a window into not only repressed wishes and conflicts, but also the most primary scenes where the subject may not even have a specific place. Simultaneously, it is the site of protection and defence, including projection and denial, but also repetition of what we will call the identical. A clinical case will be presented to illustrate our theoretical ideas and their clinical implications.

AB - Although being a fundamental concept in psychoanalysis, fantasy is an ambiguous term. It covers a vast field of conscious and unconscious phenomena, from daydreaming, the manifest narration of the patient’s world of imagination to unconscious fantasy and primal fantasy. Further, it introduces the delicate alternatives of imaginary versus real, subject versus object and internal versus external. Following Freud’s reflections on the ambiguity of fantasy, we arrive at an idea introduced by Freud himself, but elaborated years later by Lacan. Fantasy, accordingly, is seen as a screen which both reveals and conceals. Our aim is to demonstrate, theoretical as well as clinical, how unconscious fantasy serves as a window into not only repressed wishes and conflicts, but also the most primary scenes where the subject may not even have a specific place. Simultaneously, it is the site of protection and defence, including projection and denial, but also repetition of what we will call the identical. A clinical case will be presented to illustrate our theoretical ideas and their clinical implications.

KW - Faculty of Social Sciences

KW - fantasy

KW - unconscious fantasy

KW - screen

KW - traversing of fantasy

KW - repetition

U2 - 10.1080/01062301.2017.1354495

DO - 10.1080/01062301.2017.1354495

M3 - Journal article

VL - 40

SP - 1

EP - 11

JO - Scandinavian Psychoanalytic Review

JF - Scandinavian Psychoanalytic Review

SN - 0106-2301

IS - 1

ER -

ID: 183804468